Mordlek
Mordlek
Master comedy through practice

What Comedy Pros Actually Think

Real perspectives from writers, performers, and teachers who've spent years figuring out what makes people laugh—and how to teach it.

Insights From the Field

Each piece offers a different angle on the craft, drawn from actual writing rooms and stages.

Why Professional Comedy Writers Rewrite Jokes 40 Times Before Performance

Why Professional Comedy Writers Rewrite Jokes 40 Times Before Performance

Most beginners think funny lines arrive fully formed. Professional writers reveal the relentless revision process behind seemingly spontaneous comedy.

Daryna Sokolov 214
Professional Comedians Plan Their Pauses Before Writing Punchlines

Professional Comedians Plan Their Pauses Before Writing Punchlines

Silence makes jokes work, but beginners never script it. Experienced writers map pauses into their material before testing anything on stage.

Oleksandr Havrysh 839
Why Comedy Writers Limit Premises to One Every 90 Seconds

Why Comedy Writers Limit Premises to One Every 90 Seconds

Cramming multiple ideas into short timeframes confuses audiences. Professional writers follow strict premise spacing that beginners consistently ignore.

Tetiana Kovalenko 347
How Comedy Writers Calculate Audience Expectations Before Subverting Them

How Comedy Writers Calculate Audience Expectations Before Subverting Them

Surprise only works when expectations are precisely managed. Professional comedy writers use specific techniques to measure and manipulate predictions.

Ihor Petrenko 925
Why More Specific Details Make Comedy Universally Funnier

Why More Specific Details Make Comedy Universally Funnier

Beginners write vague setups hoping more people relate. Professional comedy writers do the opposite, adding hyper-specific details that somehow connect with everyone.

Svitlana Bilous 296

Why does anyone care what experts say?

Because they've tried everything that doesn't work. They've written jokes that bombed, scenes that fell flat, and sketches that never made it past the first read-through.

When someone with 15 years in a writers' room tells you timing matters more than cleverness, that's not philosophy. That's pattern recognition from a thousand script revisions.

Their opinions aren't gospel, but they're shortcuts past mistakes you'd otherwise need years to figure out yourself. Comedy is subjective until you're the one trying to fix a joke at 2 AM before the shoot.

Comedy writing workspace

How We Choose Contributors

We don't platform everyone with an opinion. Our contributors have verifiable work—produced shows, published scripts, or students who've gone on to professional careers.

They've taught workshops, led writing rooms, or performed at recognized venues. Some write for television. Some run improv theaters. A few do stand-up five nights a week.

What they share is skin in the game and willingness to be specific about technique instead of vague about inspiration.

37

Contributing Writers

142

Published Pieces

18

Active Instructors

9

Years Running

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